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Photography subsequently became a serious pastime for Nasir al-Din Shah following his coronation in fig. A decade later, several photographers active in Tehran introduced new techniques.

Many of them were army officials or personnel attached to various foreign commissions. August Kriziz, an Austrian artillery officer who taught at the new polytechnic school, the Dar al-Funun, in the s, experimented with calotypes.

Focchetti, another instructor at the Dar al-Funun, is credited with introducing the collodion process to Iran.

Some three thousand glass plate negatives that Hoeltzer created while he lived in Iran from to the mids have survived and are today in the National Museum of Ethnology in Leiden, the Netherlands.

Fascinated by the new medium and its potential, Nasir al-Din Shah in appointed one of his favorite court attendants, Aqa Riza Iqbal al-Saltana, to learn the techniques of photography.

Sometime in the s, an official position was created for a court photographer, and the darkroom and photographic studio of the Gulistan Palace were in full function.

In addition, the Dar al-Funun established its own photographic studio and atelier. Nasir al-Din Shah himself became an avid photographer and in the mids began taking images of the women and eunuchs of the court—and even of his cat.

Allegedly, both the shah and his court photographer received instruction from the French photographer Francis Carlhian — , who joined the court at the specific request of Nasir al-Din Shah and his vizier, Amin al-Dawla.

Since he was also helping Nasir al-Din Shah develop and print his negatives in the royal darkroom, Muchul Khan became a trusted collaborator and was even allowed to take photos of the harem women.

By the s, Nasir al-Din Shah had at least three official photographers in addition to Muchul Khan who accompanied him on his travels both inside and outside the capital.

On his three travels to Europe , , and , the Qajar ruler made entries in his diaries about his personal visits to well-known photographic studios.

When he visited Istanbul, for example, he noted that the official court photographer, Abdullah Khan, took his portrait.

Among the early independent photographers in Tehran was Joseph Papaziyan, who opened a studio around Years later Nasir al-Din Shah bestowed one of the most revered medals of the Qajar court on this Armenian Iranian photographer.

The other successful commercial studio in Tehran in the late nineteenth century belonged to Antoin Sevruguin died Born in Tehran and trained in Tbilisi, Sevruguin established a studio first in Tabriz in the early s and then in Tehran later in the decade.

He soon became one of—if not the most— prolific and accomplished photographers of the capital city. His studio was a destination for the royal family, foreign visitors, and locals fig.

His later attempt to add motion pictures to his professional ventures proved a failure. Yet, Sevruguin persevered as a photographer, and his works can be found in many public and private collections both in Iran and outside the country, with the most notable among these being the Freer and Sackler Archives and the Gulistan Palace Museum in Tehran.

His impressive collection of glass plate negatives in the Freer and Sackler Archives attests to a diverse range of subjects and interests, with a particular emphasis on dramatic lighting and exquisite composition fig.

In some of his works, Sevruguin inserted himself into the composition, thus establishing his presence and that of the camera in the scene.

Download agenda View event website. Seria de evenimente e-conferences isi propune sa vina in spriiinul comunitatii de afaceri si a sectorului energetic cu un produs media actualizat, adaptat la nevole actuale de informare si care sa sprijine in aceasta perioada provocarile impuse de situatia globala.

Joi, vor fi alaturi de noi online in discutiile cu privire la abordarile de business si reglementarile in domeniul energetic: dl.

Inscrieri Vezi site-ul evenimentului. Event was organized in two parts: — a public workshop dedicated to public institutions and companies, but also to energy service companies, ESCO; — an exclusive workshop dedicated to energy service companies, ESCO.

The QualitEE project, funded by the Horizon program, aims to drive responsible investment in energy efficiency services in the building sector by increasing the trust of clients and financial institutions in energy service providers.

This project is managed by a consortium comprises 12 partner organinisations covering 18 European countries.

Download agenda. Locul tranzitiei energetice in paginile Strategiei Energetice — beneficii, oportunitati, provocari si obligatii. In data de Daniel Danielopolu nr.

View event website. Some of the top energy sector CEOs will join us to discuss on the major trends transforming their field of activity.

Arpee photography

To date, none of these early images has been located. Photography subsequently became a serious pastime for Nasir al-Din Shah following his coronation in fig.

A decade later, several photographers active in Tehran introduced new techniques. Many of them were army officials or personnel attached to various foreign commissions.

August Kriziz, an Austrian artillery officer who taught at the new polytechnic school, the Dar al-Funun, in the s, experimented with calotypes. Focchetti, another instructor at the Dar al-Funun, is credited with introducing the collodion process to Iran.

Some three thousand glass plate negatives that Hoeltzer created while he lived in Iran from to the mids have survived and are today in the National Museum of Ethnology in Leiden, the Netherlands.

Fascinated by the new medium and its potential, Nasir al-Din Shah in appointed one of his favorite court attendants, Aqa Riza Iqbal al-Saltana, to learn the techniques of photography.

Sometime in the s, an official position was created for a court photographer, and the darkroom and photographic studio of the Gulistan Palace were in full function.

In addition, the Dar al-Funun established its own photographic studio and atelier. Nasir al-Din Shah himself became an avid photographer and in the mids began taking images of the women and eunuchs of the court—and even of his cat.

Allegedly, both the shah and his court photographer received instruction from the French photographer Francis Carlhian — , who joined the court at the specific request of Nasir al-Din Shah and his vizier, Amin al-Dawla.

Since he was also helping Nasir al-Din Shah develop and print his negatives in the royal darkroom, Muchul Khan became a trusted collaborator and was even allowed to take photos of the harem women.

By the s, Nasir al-Din Shah had at least three official photographers in addition to Muchul Khan who accompanied him on his travels both inside and outside the capital.

On his three travels to Europe , , and , the Qajar ruler made entries in his diaries about his personal visits to well-known photographic studios.

When he visited Istanbul, for example, he noted that the official court photographer, Abdullah Khan, took his portrait. Among the early independent photographers in Tehran was Joseph Papaziyan, who opened a studio around Years later Nasir al-Din Shah bestowed one of the most revered medals of the Qajar court on this Armenian Iranian photographer.

The other successful commercial studio in Tehran in the late nineteenth century belonged to Antoin Sevruguin died Born in Tehran and trained in Tbilisi, Sevruguin established a studio first in Tabriz in the early s and then in Tehran later in the decade.

He soon became one of—if not the most— prolific and accomplished photographers of the capital city. His studio was a destination for the royal family, foreign visitors, and locals fig.

His later attempt to add motion pictures to his professional ventures proved a failure. Yet, Sevruguin persevered as a photographer, and his works can be found in many public and private collections both in Iran and outside the country, with the most notable among these being the Freer and Sackler Archives and the Gulistan Palace Museum in Tehran.

His impressive collection of glass plate negatives in the Freer and Sackler Archives attests to a diverse range of subjects and interests, with a particular emphasis on dramatic lighting and exquisite composition fig.

This project is managed by a consortium comprises 12 partner organinisations covering 18 European countries. Download agenda. Locul tranzitiei energetice in paginile Strategiei Energetice — beneficii, oportunitati, provocari si obligatii.

In data de Daniel Danielopolu nr. View event website. Some of the top energy sector CEOs will join us to discuss on the major trends transforming their field of activity.

Following our CEO Forum panel discussion, awards will be presented at a gala attracting more than industry leaders.

The Awards Gala, now in its 8th year, is an elite event and a platform to recognize, reward and celebrate the success of the most prominent firms acting in the energy field in Romania.

Evenimentul este adresat, in principal, tinerilor ingineri si studentilor din domeniul energetic si isi propune sa ofere informatii despre programele de practica, internship, locuri de munca si programe de dezvoltare profesionala ale tinerilor in cadrul companiilor partenere.

Europuls — Centre for European Expertize invites you to discuss the prospects of the energy sector in Romania on Tuesday, 11th of December, Together we will debate the performance of Romania in respect to energy, climate and the prospects of digitalization of the energy sector.

We will also debate the motives for why Romania has stagnated in the implementation of some of the requirements of the Clean Energy Package.

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